Fashion
Photo 1
Photo 2
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From Magazine 5/2008 Pattern 118 Dress altered to a top. Pants 2/2007 pattern 120 Jacket from magazine 9/2007 Pattern 109 Pants 2/2007 Pattern 120
Skirt and top from, Burda Magazine 6/2008 Skirt pattern 121 Top pattern 124 Dress from magazine 2/2007 Pattern number 123
Burda Pattern not from Magazine from catalogue Pattern number 7787    Black and white jacket from magazine 3/2008 Pattern number 117 Pants 2/2007 Pattern 120

European Fashion at Your Fingertips with Burda Pattern Magazine

by Valerie Gibson

The first time I became aware of the Burda Pattern magazine was back in 1992. I was standing next to a lady in a news agency and glanced over to see her eagerly flicking through the pages of an interesting fashion and sewing magazine. I asked her if she had made many of the patterns included in the magazine and she replied “most of the time”. Occasionally there would be something specific that she couldn’t find in any of her issues and then she would look to buy a regular commercial pattern. I took the plunge and bought my first Burda Magazine and now thirteen years later still get great enjoyment and inspiration from this terrific fashion magazine. See photo 1 – Current Autumn 2009 Burda Pattern Magazine

I can’t say that the whole process of tracing the pattern off and then remembering to add seam and hem allowances wasn’t daunting at first, but the more you do it the faster and better you become at it. I found tracing my choice of pattern from the myriad of lines and colors on the sheet could be done two ways. See photo 2 – Pattern Sheet

Firstly, with carbon paper placed face down on non-iron Vilene, with the pattern on top and traced off using a tracing wheel. Burda used to make packets of red and blue carbon in large sheets but I have only been able to find yellow and white, which is pretty useless on white Vilene. I therefore bought a packet of paper carbon from the office supplies and stuck three rows of four, with size A4 carbon, onto butcher’s paper, which works very well.

The other method I found works well uses a gadget called “Roll-a-Pattern”. It is a rotary marker and is readily available, with refills, from “Punch with Judy” (www.punchwithjudy.com.au). This is a rolling tool filled with ink that allows you to trace, with the Vilene on top of your pattern. This method is a little harder to see and you need a fairly steady hand! See photo 3.

The next step is purely personal preference. You can add seam and hem allowances directly to the pattern on the Vilene or cut out the patterns, without seam and hem allowances and use a Burda marking wheel. The marking wheel has chalk on one side and an arm, parallel, that determines the required seam and hem widths, on the other. See photo 3.

I ‘tissue fit’ the Vilene, just as I would a commercial tissue pattern, so you need to leave a portion of Vilene on the seams so you can pin it together. The beauty of the Vilene is its very hardy for tissue fitting and won’t tear.

The same sizing rule applies, for determining your pattern size in the magazine, as for commercial patterns. Select size, according to your high bust measurement, for tops, jackets and coats and by your hip measurement for pants and skirts. As all the patterns are multi-sized your choice should be well covered.

The magazine costs AUS$14.99, and is available monthly. There are between 40 and 50 patterns included in each edition. The sizes range is European, from 36-44 in women’s sizes and a plus sized section from 44-52 and the great thing about this magazine is that the European styling is a season ahead with up to the minute styles from the catwalks of Europe.

There is always a craft section and one for children and they give you recommended fabrics’, interfacing (which is the Vilene range) and haberdashery in all the instructions. Although they often recommend wider widths of fabric I simply take my fabric conversion chart with me and convert the meterage into my fabric choice width.

The magazine shows every garment sewn and modeled and the way they put together colors, textures, shoes and accessories gives me inspiration for my sewing projects. Each month there is a complete guide to making one of the garments, including pictures, as well as a section called ‘Burda Workshop’, which explains all sorts of sewing problems and gives handy hints.

All in all, if you would like a challenge (but one that will definitely make you a better sewer and extend your abilities) then start with one of the easier choices in the magazine and work your way up the skill levels. Each pattern is rated from easy to advanced. I’m sure that once you become hooked, as I have, you will look forward, in eager anticipation, to the next issue of the Burda pattern magazine.

Valerie GibsonVal Gibson

Val Gibson has made her current season wardrobe from Burda Pattern Magazine patterns and the superb fabrics available from her latest exciting adventure -

THE FABRIC COLLECTION!

Val has always been a passionate home sewer and has thirty years of sewing and teaching experience behind her. She is a fully qualified Palmer/Pletsch Fit and Sewing teacher and she runs classes and workshops from her home Studio on the Mornington Peninsula, Victoria, Australia.

As a result of running her sewing school, Val recently decided to source gorgeous fabrics to help other avid home sewers and the result:

A new website called www.thefabriccollection.com.au.

This user friendly website is SOOOOOO easy to navigate and each fabric can be enlarged to enable the user to see the colours, textures and prints clearly and each print will be seen on screen with a suggested plain fabric to compliment it.

THE FABRIC COLLECTION has fifty current Martin & Savage Fabrics for you to choose from. These cover the main colour palettes and fabrics include bottom weights through to top weights, knits, wovens and some very directional burnout sheers, jacquards and crepe de chines!

Val has compiled swatch cards and a complete set is available for $12.95 includes postage and handling.

She says, “I have done this swatch card service for those sewers who need to see and feel the fabric. The cost of this service (i.e. the $12.95) will be discounted off any fabric purchases over $ 130.00.”

“Other sewers will hit the website and because they can see the colours, prints and fabric texture in a large format they may not see the need to buy swatch sets.”

In addition to the website you can order on 1300 760 240 for the cost of a local call or email Val directly on: Email: enquiries@thefabriccollection.com.au